Author Archives: Sharon

Emerald Isle

Emerald Isle 24×36 Acrylic on Canvas (sold)

‘Tis sunset: to the firmament serene,

The Atlantic wave reflects a gorgeous scene;
Broad in the cloudless west a belt of gold
Girds the blue hemisphere; above, unroll’d.
The keen clear air grows palpable to sight,
Imbodied in a flush of crimson light.

Dipp’d in the hues of sunset, wreath’d in zones,
The clouds are resting on their mountain-thrones;
One peak alone exalts its glacier crest,
A golden paradise, above the rest;
Thither the day with lingering steps retires,
And in its own blue element expires.

- James Montgomery

There are times when I look at a Carolina coast sunset and think, “If I were to paint exactly what I see at this very moment, no one would ever believe it to be real.” The drama can look surreal – almost as though a photographer deliberately saturated the scene with color to enhance his image. The wondrous thing about a sunset is that each are unique. You will never see the same sunset or color combination twice. And before you can blink, the vista changes as the sun continues to set with each passing moment. Every imaginable color and hue of nature’s pallet can radiate across the late afternoon sky. Sunset colors are typically more brilliant and more intense than sunrise colors, since there are generally more atmospheric particles in the evening air than in the morning air.

As a child, my mother used to tell me that when people died and went to heaven she believed they were each given a special job. She claimed to have lacked artistic talent and said she could barely etch out a stick figure.  So, she wanted her job in heaven to be an artist -  a painter of sunsets. With each glorious sunset I think of my mother.  I imagine her having a playful smile as she stands upon the skyline with a gigantic, well-worn paintbrush. Magically, she spreads her brush above the ocean,  perhaps a bit reminiscent of Disney’s animated Tinkerbell leaving a trail of twinkling pixie dust across Cinderella’s castle, but in my case – the evening sky. My mother sprinkles kaleidoscopic color across the sky to blaze an afterglow of the day’s sun which illuminates the mountainous and wispy cloud formations with even more color.

The reflection of her day’s work dances across the waves and incoming tide -  almost as a reminder that another day glimmers just beyond the distant horizon.

Clyde Phillips Seafood Market Series

The Clyde Phillips Seafood Market series – available at Tidewater Gallery, Swansboro, N. C.

The series includes the following paintings:

(Prints are also available)

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“Vern Weighing Shrimp” 14″ x 11″ Acrylic on Canvas -Original SOLD

“Clyde’s Treasures” 11″ x 14″ Acrylic on Canvas

“Hung Out to Dry” 11″x 14″ Acrylic on Canvas

“Rinsing Shrimp” 16″ x 20″ Acrylic on Canvas -Original SOLD

“Icing Shrimp” 16″ x 20″ Acrylic on Canvas

“Miss Gwendolyn’s Oilskins” 16” x 16” Acrylic on Canvas

“Vern II” 11″ x 14″ Acrylic on Canvas -Original SOLD

“Clyde’s I” 16″ x 20″ Acrylic on Canvas -Original SOLD

“Clyde’s II” 12″ x 14″ Acrylic on Canvas

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If you are visiting the Crystal Coast this fall, stop by Tidewater Gallery in Swansboro and check out the new works!

N.C. Seafood Festival

A few thoughts from the N.C. Seafood Festival in Morehead City, October 1-3, 2010

24th Annual Grand Opening Ceremonies

A few thoughts…

I am so very proud to have been named the 2010 North Carolina Seafood Poster Artist.  I have followed the many wonderful N.C. artists who have been awarded this special accolade ever since Alan Cheek became the first NCSF Poster Artist 24 years ago.

Alan Cheek is my hero, a “distinction” he does not know about. Alan will always be one of the great North Carolina artists in my book. I will never forget the first time I saw his painting, Old Port Town, – a dramatic, colorful and picturesque port town view of Beaufort, North Carolina. After seeing that painting, I was hooked and followed everything Alan painted through the years, including the first NCSF poster in 1987. Once Alan was bestowed the NCSF award, I also started paying attention to all the artists that were named festival’s Poster Artist each year.

About six years ago, I stopped into Downeast Gallery, Alan’s gallery in Beaufort, N.C.  Although I was painting professionally at the time, and had my work in area galleries, I still could not bring myself to tell him that I was also an artist, a collector of his artwork,  and that he had inspired me so much with his incredible work over the years. We chatted about his art and I learned a little about him. I found him to be quite kind and open about his artwork and personal journey over the years.

I returned to Alan’s gallery this past spring. This time, I wanted to introduce myself as this year’s NCSF poster artist… and thank him for the unknown impact he made on my professional career. But the Downeast Gallery had closed or relocated and I was unable to find him. I hope I will one day have the opportunity to thank him for being such an inspiration to me. Check out Alan Cheek’s work on the Web: http://www.alancheek.com

I owe Jim Storholt (2005 and 2009 NCSF Poster Artist) and his wife a huge “thank-you” for giving me advice about the NCSF. I do not do many outdoor shows, and they were extremely helpful with some tips for this year’s festival booth. Check out Jim’s Web Site: http://www.coastaloriginals.com

Artist, Mary Warshaw,  has also been so kind to publicize my poster signings and shows on her many wonderful blogs. Take a few minutes and walk with her through Historic Beaufort: http://marywarshaw.blogspot.com/ She is a beautiful writer and artist!

At this year’s festival, I had the pleasure of having a booth beside Walter Creech, the 2007 NCSF Poster Artist. It was nice to learn more about him and his work over the years! Learn more about Walter on the Web: http://www.waltercreech.com/

Lou and Porter Wilson at Arts & Things Gallery in Morehead City, http://www.arts-things.com/ , have also offered help to me – way beyond the call of duty! They held a poster signing at their gallery in April, and offered invaluable support before, during and after the festival weekend… (and made new prints for my festival booth every time a print sold!) If you are interested in getting your NCSF poster framed, give them a call.

Thanks, too, to Raymond Voelpel at Tidewater Gallery in Swansboro. Ray also held a NCSF Poster Signing in his gallery, which ultimately inspired my new series, “Clyde Phillips Seafood Market.” The “Clyde Phillips Seafood Market” series is still on display at Tidewater Gallery along with new prints from the series! http://tidewatergalleryswansboro.blogspot.com/

A special “thanks” goes to the North Carolina Seafood Festival – staff (Stephanie and Carol!) and Board of Directors; the Mayor and Town of Morehead City;  my family (who traveled and worked tirelessly for over a week!!!!);  friends (that traveled so far!);  and all my many old and new patrons!

Thanks to all of you for making this such a special time!

Sharon


News-Times September 29

Thanks to Lindsay Street and the News-Times for the nice article!

NewsTimes Sharon Kearns

Photo Contributed by Suzanne Bland ;-)

Worth the Trip: Dali at the High

“The Maximum Speed of Raphael’s Madonna” (1954) is one of the paintings included in the exhibition “Dalí: The Late Work,” at the High Museum of Art in Atlanta. (Credit: Erik S. Lesser for The New York Times)

by Emily Brown

The upturned mustache and beady eyes of Salvador Dali now cover billboards and buses in Atlanta. In August, the excitement of the Dali exhibit began as the High Museum welcomed this eccentric artist’s later works to Atlanta.

Recently I attended the exhibition with friends on a balmy Friday evening for Jazz Night, held on the third Friday of every month combining live music, cocktails and, of course, fabulous art. In between sips of Salvador Sangria, the conversation buzzed about the mystique and expertise of this Spanish artist.

Putting down cocktail glasses and stepping away from the music-filled atrium, the story of Salvador begins.

Entering the exhibit, you will feel as though his bulging black eyes are watching you – in bold photographs, quotes and film. You learn he is from Spain and has a passion for the Catalonia region.

The first two galleries, containing mustache shapes and photographs, try to prepare you for what is to come. However, when his art takes over – get ready – it’s terrifically tantalizing.

Take, for example, “The Speed of Raphael’s Madonna,” with its vibrant lazuline background containing floating rhinoceros horns. Dali was fascinated with the rhinoceros horn because its growth patterns are congruent with mathematical formulas.

Put on the 3D glasses to view his work in holograms. Sit down in a lip-shaped chair to find the hidden images in his work.  Ever thought of playing chess with finger pieces? Dali’s chess set, a homage to Marcel Duchamp, will fascinate you with its unusual pieces. Check out the film documenting his life and find out how Dali hob-knobbed with the likes of Andy Warhol. Can you imagine soup cans melting on a staircase?

The exhibit contains works not seen in the United States for more than 50 years as well as generous pieces loaned by the Salvador Dali Museum in St. Petersburg, Fla. From this exhibit you begin to gather a sense of a man who dissected images with fervor and energy, producing art in many forms including jewelry.

My top five Dali-isms from the exhibit:

  1. He loved his wife. Dali married his beloved Gala in Paris on Jan. 30, 1934. Gala was in many of Dali’s works including “Madonna of Port Lligat” in which she is recast as the Virgin.
  2. His work was often inspired by dreams. Think about your dreams. Can you imagine someone seeing them? Dali’s work brings form to these chaotic collages in the mind.  I wonder what Dali would think about the new movie Inception.
  3. He appreciated classicism and worked in surrealism. He declared himself a classicist in 1938 after meeting with Freud. “You have to systematically create confusion, it sets creativity free,” said Dali. “Everything that is contradictory creates life.”
  4. He used science to justify faith. Dali’s art became a medium for him to explore his faith through psychology, science and religion. For example, in “Assumpta Corpuscularia Lapislazulina,” Dali projects the ascent of the Virgin (with the face of Gala) as the result not of a miracle, but an atomic reaction. His late works chronicle his return to Roman Catholicism.
  5. He used symbols to convey meaning. See ants? Think decay. Find hidden keys? It might just mean unlocking ideas. Dali packed layers of meaning into his work by using natural imagery.

Dali’s work will probably never be part of my home décor, but seeing it so close inspired me as he used his passion and skill to create brilliant absurdity in his juxtaposed realities.

A few logistical things. Get there by January; the exhibit ends Jan. 9, 2011. Consider going on a week day to prevent an elbow tango with other Dali fans.  The High Museum (www.high.org) is located in Atlanta Georgia on 1280 Peachtree Street; an easy drive down I-85. Ticket prices vary on age: $18 adults; $15 students and seniors; $11 children (ages 5-17).

Tideland News – September 8

Thanks to the Tideland News for the kind article!

Click for larger size

Tidewater Gallery Showing

Sharon Kearns and Ray Voelpel, owner of Tidewater Gallery

Sharon Kearns and Ray Voelpel, owner of Tidewater Gallery

The Clyde Phillips Seafood Market series arrived at Tidewater Gallery in Swansboro, N.C. on Saturday, August 28th. Ray Voelpel, owner of the gallery, announced the new series with a gathering of friends and local artists. It was a wonderful way to celebrate with such an extraordinary group of people!

A heartfelt thanks goes to Ray, and his wife Jan, for hosting such a very special evening!

As well, I owe a sincere “thank-you” to Phillip for the inspiration for the Clyde Phillips series!

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The Clyde Phillips Seafood Market series includes the following paintings:

“Vern Weighing Shrimp” 14″ x 11″ Acrylic on Canvas

“Clyde’s Treasures” 11″ x 14″ Acrylic on Canvas

“Hung Out to Dry” 11″x 14″ Acrylic on Canvas

“Rinsing Shrimp” 16″ x 20″ Acrylic on Canvas

“Icing Shrimp” 16″ x 20″ Acrylic on Canvas

“Miss Gwendolyn’s Oilskins” 16” x 16” Acrylic on Canvas

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If you are visiting the Crystal Coast for the Labor Day holiday, stop by Tidewater Gallery in Swansboro and check out the new works!

“Miss Gwendolyn’s Oilskins”

"Miss Gwendolyn's Oilskins" by Sharon Kearns

“Miss Gwendolyn’s Oilskins” 16″ x 16″ Acrylic on Canvas

“Miss Gwendolyn’s Oilskins is the sixth painting in the Clyde Phillips Seafood Market collection.

This painting highlights several hanging pairs of luminescent, waterproof slickers blowing in the breeze on the side of the Miss Gwendolyn shrimp boat. Miss Gwendolyn is a shrimp boat docked along the pier outside of Clyde Phillips Seafood Market. I was intrigued by the glow of the oilskins in and of themselves.  But I was further enthralled by the reflections of the slickers radiating above in the boat’s eve and below along the railing. I also wanted to capture the window and the reflection of the pilings and boat across from Miss Gwendolyn.

"Icing Shrimp"

"Icing Shrimp" by Sharon Kearns

“Icing Shrimp” 16″ x 20″ Acrylic on Canvas

“Icing Shrimp” is the fifth painting in the Clyde Phillips Seafood Market collection.

In the back of Clyde Phillips Seafood market, Jimmy Phillips is pouring shrimp from the scales into a corrugated box to prepare for packaging.  The “Miss Gwendolyn” shrimp boat captain scooped ice directly from a gigantic ice pile in the freezer room and will shovel it onto the freshly caught shrimp.

Again, I was amazed by the darkness of the work area, lit only by the open bay doors. The sunlit illumination of the men working and the wet glow of the floor were creative elements I wanted to convey in this painting.

The old seafood markets, like Clyde Phillips, are quickly becoming obsolete – a thing of the past.  With each painting in this series, I have felt more and more compelled to create an enduring, creative representation of the Clyde Phillips Seafood Market story -the story of one old little North Carolina seafood market that continues to engage and impact their coastal community.

Rinsing Shrimp

“Rinsing Shrimp” 16″ x 20″ Acrylic on Canvas (sold)

“Rinsing Shrimp” is the fourth painting in the Clyde Phillips Seafood series.

The painting depicts Jimmy Phillips and his helper in the back of the seafood market. They are pouring freshly caught shrimp into an old bathtub. Water is pouring through a hose to cleanse the shrimp. Jimmy will take a large strainer to gently stir the shrimp around in the tub. He will pick out small squid and other “undesirable” urchins and remove them from the tub. From there, the shrimp are strained and ladled onto hanging scales to be weighed. Icing and packaging become the final steps.

The back area of the seafood market is lit only from the sunlight shining through the bay doors. The backdrop lighting illuminates the two men, providing an interesting glow and shadowing effect that I wanted to capture. The cool, wet floor with all its textures radiates with golden color from the sunlight. Through the bay doors, the fishing docks and boats reflect the bright white of the mid-day sun.